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228 items found for ""

  • Molly and Tenbrooks | Bluegrassbasics

    Concert Pitch - Molly and Tenbrooks.pdf Nashville - Molly and Tenbrooks.pdf

  • I'm Gonna Sleep with One Eye Open | Bluegrassbasics

    Nashville - I'm Gonna Sleep with One Eye Open.pdf

  • Jam Etiquette | Bluegrassbasics

    Jam Etiquette While every jam is slightly different, there tend to be some common threads that run through them. Following a few basic guidelines can help you seamlessly join the next jam that you visit. Be observant! There are a lot of unspoken customs that include: How songs are selected​ Types of songs selected Who leads each selection How instrumental "breaks" are determined It's okay to ask if you're not picking it up. Be in tune! Tune to a standard A=440. Being in tune with the group is extremely important. Re-check often - especially when using a capo. Investing in an electronic, clip-on tuner is a life-saver. (They've become very affordable) Click here for a page on tuners! ​ Be prepared to pick a song - or two!​ If you don't feel comfortable singing it or leading it, you can always ask if someone else can.​ Pick another in case your first choice gets selected by someone else. It's always okay to pass, but people want to play what you know so do try to think of one. Avoid "Jam Busters" These are songs that don't fit the genre, are very complex, or aren't prepared to be performed at a typical tempo.​ Choose a song that follows a predictable structure. Few chord changes are best. Common keys like G, C, A, and D If it's an instrumental piece, a simple version - played at a more typical tempo - is a much better choice than a "fancy" version that needs to be slowed down too much. It's not an Open Mic People gather at jams to play together. That's what makes them so special. ​ Play so others can hear themselves. This is especially true:​​ During instrumental breaks​ While a vocalist is singing Have fun and don't worry about perfection. You are your harshest critic!

  • Steel Rails | Bluegrassbasics

    Concert Pitch - Steel Rails.pdf Nashville - Steel Rails.pdf

  • Banjo | Bluegrassbasics

    Banjos The 5-String Banjo, played in the 3-finger "Scruggs" style is one of the defining sounds of bluegrass music. Banjos have a long history and have gone through many changes since first coming to the Americas on slave ships from West Africa. Because of this, it is important to make sure you're playing the appropriate banjo for each style of banjo music. Left - Gretsch G9400 Broadkaster Deluxe - This 5-string resonator banjo is what most people think of when discussing bluegrass banjos. It has 5 strings - including the short 5th string that gives it the distinctive sound, a resonator on the back - to project loudly in a bluegrass ensemble, and a flathead tone ring under the head for a increased depth of sound. This banjo is normally played with a thumb and two finger picks in order to get the characteristic attack of the bluegrass banjo. Middle - Gretsch G9451 Dixie Deluxe - This 5-string open-back banjo should not be confused with its bluegrass sibling. Although it still has 5 strings, it is usually played with bare fingers in a clawhammer or frailing style - often heard in old time music. Lacking a resonator, it doesn't project as much and has a much more "round" sound to it. Right - Stromberg-Voisinet Tenor Banjo - Notice that this banjo is missing the 5th string that is characteristic of bluegrass and old time banjos. They are most commonly played with a pick, similar to guitar. Tenor banjos find a ready home in jazz, jugband, and celtic music.

  • Streets of Baltimore

    < Back Streets of Baltimore Previous Next Streets of Baltimore - Concert Pitch .pdf Download PDF • 40KB Streets of Baltimore - Nashville .pdf Download PDF • 41KB

  • February 2023 | Bluegrassbasics

    February 2023 < Back Your Love is Like a Flower - Key of A I Still Miss Someone - Key of A Boil Them Cabbage Down - Key of A I'll Fly Away - Key of A Will the Circle Be Unbroken - Key of G Footprints in the Snow - Key of D All I Ever Loved Was You - Key of G Jambalaya - Key of D You Are My Sunshine - Key of C A Beautiful Life - Key of A Over in the Glory Land - Key of G Hey, Good Lookin' - Key of C Blue Moon of Kentucky - Key of A A Hundred Years from Now - Key of G Heartbreak Hotel (Ed Schaeffer) - Key of Em Long Gone - Key of A Previous Next

  • Old Train

    < Back Old Train Previous Next Old Train - Transposed .pdf Download PDF • 40KB Old Train - Concert Pitch .pdf Download PDF • 34KB Old Train - Nashville .pdf Download PDF • 49KB

  • Guitar Capos | Bluegrassbasics

    Guitar Capos Kyser Quick Change Classical Guitar Capo - This is a "trigger" style capo with no radius to the pad. It can be used any instrument that has a flat fingerboard. The major drawback to this capo is that the tension is not adjustable. This means that there is often a lot of re-tuning needed when using this style capo. One-handed operation is possible with this style capo. It can be clipped to the headstock when not in use. ​ D'Addario TriAction Capo Black - Another "trigger" style capo but this one has an adjustable thumb wheel on the spring. The wheel lets you only use as much tension as is needed and reduces the need to re-tune when using it. The bulk of this capo "hides" behind the neck and is not very apparent to the audience. One-handed operation is possible with this style capo. It can be clipped to the headstock when not in use. D'Addario TriAction Capo Silver - Same as #2 but in a matte silver finish. G7th UltraLight Capo - This capo is barely there! It has hardly any profile to it, it has adjustable tension, and it is CHEAP! It requires both hands to adjust it on the guitar. The only thing it's lacking is the ability to store it on the instrument when not in use. Paige Original 6-String Acoustic Capo - The "yoke" style capo is popular with bluegrass musicians and this is the most affordable version out there. The tension screw means it is self-centering and there are no bulky springs on it. When not in use, it can sometimes be stored behind the guitar's nut. If the guitar has a thicker headstock (like on a slotted peghead), it might not fit over the nut. In that case, a different style of capo would be best. It also requires 2 hands to operate effectively. G7th Heritage Capo - This is the fancy version of the "yoke" style capo. The finish is very refined - sometimes described like jewelry. It boasts G7th's ART (adaptive radius technology) which adjusts the pad to a wide variety of guitar radii. This is a very expensive capo. G7th Performance 3 Black - This style uses a unique internal ratchet. It is squeezed into place and hold that tension. It also utilizes G7th's ART and can be stored on the headstock. One-handed operation is possible, but some users may need to squeeze with both hands. G7th Performance Silver - The original version of the G7th Performance. The ratcheting system was reversed in versions 2 & 3. *Not Pictured - Shubb C1 - This is a very popular and reliable "lever" style capo. It requires two-handed operation and usually isn't stored on the guitar.

  • Resonator Guitar - Flinthill Square Neck | Bluegrassbasics

    < Back Resonator Guitar - Flinthill Square Neck ​ Previous Next

  • Cold, Lonely, and Blue

    < Back Cold, Lonely, and Blue Previous Next Cold, Lonely, and Blue - Transposed .pdf Download PDF • 50KB Cold, Lonely, and Blue - Concert Pitch .pdf Download PDF • 44KB Cold, Lonely, and Blue - Nashville .pdf Download PDF • 53KB

  • Wild Bill Jones

    < Back Wild Bill Jones Previous Next Wild Bill Jones - Transposed .pdf Download PDF • 41KB Wild Bill Jones - Concert Pitch .pdf Download PDF • 35KB Wild Bill Jones - Nashville .pdf Download PDF • 44KB

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