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232 items found for ""

  • White Freight Liner Blues

    < Back White Freight Liner Blues Previous Next White Freight Liner Blues - Transposed .pdf Download PDF • 40KB White Freight Liner Blues - Concert Pitch .pdf Download PDF • 34KB White Freight Liner Blues - Nashville .pdf Download PDF • 43KB

  • Think of What You've Done

    < Back Think of What You've Done Previous Next Think of What You've Done - Transposed .pdf Download PDF • 39KB Think of What You've Done - Concert Pitch .pdf Download PDF • 33KB Think of What You've Done - Nashville .pdf Download PDF • 42KB

  • Christmas Time's A Comin'

    < Back Christmas Time's A Comin' Previous Next Christmas Time's A Comin' - Transposed .pdf Download PDF • 57KB Christmas Time's A Comin' - Nashville .pdf Download PDF • 61KB

  • Fiddle | Bluegrassbasics

    < Back Fiddle What's the difference between a violin and a fiddle? A violin has strings and a fiddle has strangs! Fiddling is just the style of playing a violin in bluegrass music. It is known mainly as melody instrument, but no instrument can play melody all of the time. Left - Ernst Heinrich Roth Violin - Any traditional violin can be used for bluegrass music. The main thing to look for is the use of solid woods in construction. Violins should have a solid spruce top and a solid maple back and sides. The fingerboard should be genuine ebony and the pegs should be hardwood - like ebony, rosewood, or boxwood. Right - Glasser Carbon Composite Violin - Some bluegrass fiddlers are finding more options in modern violins. They can be found in 5-string models and made from durable materials like carbon fiber. Additional items like geared tuning pegs and pickups can make for very versatile instruments. A 5-string violin adds a low C string - like a viola. This low string sounds especially good when used for rhythmic accompaniment. Previous Next

  • Dobro | Bluegrassbasics

    < Back Dobro In bluegrass music, the "dobro" refers to a resonator guitar, played across the lap - with a steel bar sliding on the strings. This is different than resonator guitars that are played in a traditional style - with or without a slide - like in certain styles of blues music. The spider bridge is the iconic resonator sound of bluegrass music. The other popular style - used for blues music - is the biscuit bridge. Less common is the tricone resonator guitar, using 3 smaller cones for a more complex sound. Recording King RR36s-vs Maxwell - This square-necked spider cone resonator guitar is well suited for playing bluegrass music. The square neck is necessary to handle the tension from the GBDgbd tuning that this style of resonator guitar uses. Previous Next

  • Bass | Bluegrassbasics

    < Back Bass The upright bass is a very valuable instrument to the bluegrass ensemble but it can be somewhat misunderstood at times. While the electric bass guitar has been used in some bluegrass groups, the upright - or double bass is what's typical of the genre. Like other orchestral stringed instruments, basses come in fractional sizes. Unlike the violin counter parts, in the United States a "full-sized" bass is actually a 3/4 size bass. It is extremely rare to encounter even a 7/8 bass. In bluegrass music, the bass is traditionally played without a bow - by plucking the strings with bare fingers. It is well worth investing a little bit of money into having it set up by a professional as many of the more affordable options are shipped in less that ideal playing condition. Palatino VB-004 3/4 Size Upright Bass - This bass is made out of spruce and maple plywoods with ebony fittings. This is a great option for jam sessions where an instrument of this size is bound to take some bumps. The outline of this bass is gamba shape, rather than a violin shape. Again, the lack of delicate corners is helpful in crowded company. Previous Next

  • Sunny Side of the Mountain

    < Back Sunny Side of the Mountain Previous Next Sunny Side of the Mountain - Transposed .pdf Download PDF • 40KB Sunny Side of the Mountain - Concert Pitch .pdf Download PDF • 34KB Sunny Side of the Mountain - Nashville .pdf Download PDF • 43KB

  • Raised by the Railroad Line

    < Back Raised by the Railroad Line Previous Next Raised by the Railroad Line - Transposed .pdf Download PDF • 41KB Raised by the Railroad Line - Concert Pitch .pdf Download PDF • 35KB Raised by the Railroad Line - Nashville .pdf Download PDF • 56KB

  • Little Cabin Home on the Hill

    < Back Little Cabin Home on the Hill Previous Next Little Cabin Home on the Hill - Transposed .pdf Download PDF • 41KB Little Cabin Home on the Hill - Concert Pitch .pdf Download PDF • 26KB Little Cabin Home on the Hill - Nashville .pdf Download PDF • 45KB

  • A Hundred and Ten in the Shade

    < Back A Hundred and Ten in the Shade Previous Next A Hundred and Ten in the Shade - Transposed .pdf Download PDF • 43KB A Hundred and Ten in the Shade - Concert Pitch .pdf Download PDF • 29KB A Hundred and Ten in the Shade - Nashville .pdf Download PDF • 52KB

  • Little Cabin Home on the Hill | Bluegrassbasics

    Concert Pitch - Little Cabin Home on the Nashville - Little Cabin Home on the Hil

  • Guitar Capos | Bluegrassbasics

    Guitar Capos Kyser Quick Change Classical Guitar Capo - This is a "trigger" style capo with no radius to the pad. It can be used any instrument that has a flat fingerboard. The major drawback to this capo is that the tension is not adjustable. This means that there is often a lot of re-tuning needed when using this style capo. One-handed operation is possible with this style capo. It can be clipped to the headstock when not in use. ​ D'Addario TriAction Capo Black - Another "trigger" style capo but this one has an adjustable thumb wheel on the spring. The wheel lets you only use as much tension as is needed and reduces the need to re-tune when using it. The bulk of this capo "hides" behind the neck and is not very apparent to the audience. One-handed operation is possible with this style capo. It can be clipped to the headstock when not in use. D'Addario TriAction Capo Silver - Same as #2 but in a matte silver finish. G7th UltraLight Capo - This capo is barely there! It has hardly any profile to it, it has adjustable tension, and it is CHEAP! It requires both hands to adjust it on the guitar. The only thing it's lacking is the ability to store it on the instrument when not in use. Paige Original 6-String Acoustic Capo - The "yoke" style capo is popular with bluegrass musicians and this is the most affordable version out there. The tension screw means it is self-centering and there are no bulky springs on it. When not in use, it can sometimes be stored behind the guitar's nut. If the guitar has a thicker headstock (like on a slotted peghead), it might not fit over the nut. In that case, a different style of capo would be best. It also requires 2 hands to operate effectively. G7th Heritage Capo - This is the fancy version of the "yoke" style capo. The finish is very refined - sometimes described like jewelry. It boasts G7th's ART (adaptive radius technology) which adjusts the pad to a wide variety of guitar radii. This is a very expensive capo. G7th Performance 3 Black - This style uses a unique internal ratchet. It is squeezed into place and hold that tension. It also utilizes G7th's ART and can be stored on the headstock. One-handed operation is possible, but some users may need to squeeze with both hands. G7th Performance Silver - The original version of the G7th Performance. The ratcheting system was reversed in versions 2 & 3. *Not Pictured - Shubb C1 - This is a very popular and reliable "lever" style capo. It requires two-handed operation and usually isn't stored on the guitar.

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